Tuesday, April 2, 2013

Ken Arkind and Denver



When I first started doing readings with Ken Arkind, I had to get used to the concept of being upstaged. Of course, I wasn’t the least bit surprised by this — after a decade of winning national competitions, becoming executive director of Denver Minor Disturbance Youth Poetry Project, and touring throughout the nation and world, Arkind has become an institution in the Denver poetry scene. So it just makes sense that his spoken word performances are less of clumsy readings through material and more of events to behold. Recently he teamed up with another venerable Mile High City poet, Charlie Fasano, to release Denver, a book including a longer poem by Arkind with linocut block print illustrations by Fasano. Arkind and I got to sit down and hash things out for the better part of an hour. Below is a transcript of this momentous conference.


Review: Land Lines

Landlines
S/T
Cash Cow Production


Have you wondered what the genre of captivating cello rock has to offer? Apparently the Denver trio Land Lines has it pretty well figured out — at least if the group’s self-titled debut is any indication. A few years after the breakup of Matson Jones, cellists Martina Grbac and Anna Mascorella started crafting songs together. And after reuniting with drummer Ross Harada, they recording a batch of tunes that depart from the more rock and roll influences of their former group. The song, “Boards Over Walls,” for example, abandons bowed cello parts and incorporates plucking in its stead, giving the song a succinct background over which Grbac and Mascorella harmonize the chorus, “I’m a stern worman.” Of course, the bowed dueling cello approach isn’t deserted completely, as demonstrated by the brooding, “Vegas,” a track lyrically penned by Charlie “The City Mouse” Fasano. Still, while this lineup boasts a similar roster to Matson Jones, it’s enough of a divergence to necessitate a completely fresh approach, which benefits Land Lines in the most graceful of ways. More information.